{"id":711,"date":"2018-07-17T16:44:42","date_gmt":"2018-07-17T16:44:42","guid":{"rendered":"https:\/\/nau.edu\/music\/?page_id=711"},"modified":"2025-11-13T16:31:56","modified_gmt":"2025-11-13T16:31:56","slug":"clarinet-audition-repertoire","status":"publish","type":"page","link":"https:\/\/in.nau.edu\/school-music\/degrees\/clarinet-audition-repertoire\/","title":{"rendered":"Clarinet audition repertoire"},"content":{"rendered":"<h1>Clarinet audition repertoire<\/h1>\n<h2>Undergraduate and graduate audition requirements<\/h2>\n<ul>\n<li>Major Scales two and\/or three octaves are required. Minor scales (any form) are not required, but might be asked if the student has prepared them.<\/li>\n<li>Two contrasting* movements from the standard clarinet repertoire or two contrasting etudes from a standard clarinet etude book.<\/li>\n<\/ul>\n<p>*\u201cContrasting\u201d simply means one of the movements\/etudes should demonstrate technical proficiency (usually fast) and the other should demonstrate a lyrical (usually slow) style.<\/p>\n<h3>Example of solos:<\/h3>\n<ul>\n<li><em>Sonatina<\/em>\u00a0by Malcolm Arnold<\/li>\n<li><em>Adagio e Tarantella<\/em>\u00a0by Ernesto Cavallini<\/li>\n<li><em>Premiere Rhapsodie<\/em>\u00a0by Claude Debussy<\/li>\n<li><em>Five Bagatelles<\/em>\u00a0by Gerald Finzi<\/li>\n<li><em>Sonata<\/em>\u00a0by Paul Hindemith<\/li>\n<li><em>Dance Preludes<\/em>\u00a0by Witold Lutoslawski<\/li>\n<li><em>Concerto K. 622<\/em>\u00a0by W.A. Mozart<\/li>\n<li><em>Rhapsody<\/em>\u00a0by William Osborne<\/li>\n<li><em>Sonata<\/em>\u00a0by Francis Poulenc<\/li>\n<li><em>Solo de Concours Op. 10\u00a0<\/em>by Henri Rabaud<\/li>\n<li><em>Concerto<\/em> <em>in Eb\u00a0<\/em>by Franz Anton Rossler<\/li>\n<li><em>Sonata Op. 167<\/em>\u00a0by Camille Saint-Saens<\/li>\n<li><em>Concerto No. 3, Bb Major\u00a0<\/em>by Carl (Karl) Stamitz<\/li>\n<li><em>Concertino<\/em>\u00a0by Giuseppe Tartini<\/li>\n<li><em>Six Studies in English Folk Song<\/em>\u00a0by Ralph Vaughan Williams<\/li>\n<li><em>Sonata No. 2<\/em>\u00a0by Johann Wanhal<\/li>\n<li><em>Concertino Op. 23<\/em>\u00a0by C.M. von Weber<\/li>\n<\/ul>\n<p>Standard clarinet etudes:<\/p>\n<ul>\n<li><em>Artistic Studies Book 1 &#8211; From the French School 32 Etudes and 40 Studies<\/em> by Cyrille Rose<\/li>\n<li><em>Thirty Caprices for Clarinet<\/em>\u00a0by Ernesto Cavallini<\/li>\n<\/ul>\n<h2>Clarinet studio website<\/h2>\n<p>Visit the\u00a0<a href=\"https:\/\/in.nau.edu\/school-music\/clarinet-studio\/\">clarinet studio website<\/a>\u00a0for more information about the program.<\/p>\n<h2>Contact<\/h2>\n<p><a href=\"https:\/\/directory.nau.edu\/?person=kd2429\">Kelsi Doolittle<\/a>, clarinet<br \/>\nOffice: Bldg. 37, Room 165<br \/>\nPhone: 928-523-3731<br \/>\nEmail: \u00a0music@nau.edu<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clarinet audition repertoire Undergraduate and graduate audition requirements Major Scales two and\/or three octaves are required. Minor scales (any form) are not required, but might be asked if the student has prepared them. Two contrasting* movements from the standard clarinet repertoire or two contrasting etudes from a standard clarinet etude book. *\u201cContrasting\u201d simply means one [&hellip;]<\/p>\n","protected":false},"author":316,"featured_media":0,"parent":386,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_oasis_is_in_workflow":0,"_oasis_original":0,"_oasis_task_priority":"","ring_central_script_selection":"","footnotes":""},"class_list":["post-711","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/pages\/711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/users\/316"}],"replies":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/comments?post=711"}],"version-history":[{"count":3,"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/pages\/711\/revisions"}],"predecessor-version":[{"id":5067,"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/pages\/711\/revisions\/5067"}],"up":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/pages\/386"}],"wp:attachment":[{"href":"https:\/\/in.nau.edu\/school-music\/wp-json\/wp\/v2\/media?parent=711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}