{"id":66940,"date":"2022-09-21T15:25:00","date_gmt":"2022-09-21T22:25:00","guid":{"rendered":"https:\/\/in.nau.edu\/news\/?p=66940"},"modified":"2022-09-21T15:25:00","modified_gmt":"2022-09-21T22:25:00","slug":"mcallister-fellows","status":"publish","type":"post","link":"https:\/\/in.nau.edu\/news\/mcallister-fellows\/","title":{"rendered":"McAllister fellows invite communities to think, act on climate"},"content":{"rendered":"<p><span data-contrast=\"auto\">Even as she watched the smoke from the Pipeline Fire from her studio window this summer, artist and assistant professor of art <\/span><b><span data-contrast=\"auto\">Debra Edgerton<\/span><\/b><span data-contrast=\"auto\"> was thinking about water. What is going to happen with the monsoons, she thought in June as she watched helicopters carry water from a reservoir near her home to fight the blaze.\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Over the next two years, Edgerton will explore the interlock of fire and water and questions of resilience. She will shadow scientists and land managers at Fossil Creek in central Arizona to explore the effects of the 2021 Backbone Fire on freshwater ecosystems. Edgerton plans to compare what she learns at Fossil Creek to research she is doing on the intentional burning of the African American Greenwood District in Tulsa, Oklahoma, in 1921 and its cascading aftereffects.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Edgerton is one of five artists, teachers and scholars at Northern Arizona University to be awarded the CEED Fellowship, a two-year grant to support community-centered climate change programming. Supported by the Frances B. McAllister Program on Community, Culture, and the Environment, these Climate Education, Engagement, and Design, or CEED, fellows will work in their respective fields to imagine inclusive new ways to engage and educate their communities around climate.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">In a region shaped by and tied to the fate of the Colorado River, it\u2019s perhaps little surprise that water is at the heart of other CEED-backed projects.\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">On Saturday, Sept. 24, the eighth annual Rumble on the Mountain will take place at the Native American Cultural Center on NAU\u2019s Flagstaff campus at 2:30 p.m. Hosted by Tewa and Hopi musician, artist and \u201cedu-tainer\u201d Ed Kabotie and his band Tha \u2018Yoties, <\/span><a href=\"https:\/\/www.facebook.com\/events\/499216392016666\/?__cft__%5b0%5d=AZWg9EMNnJx1-IUWPQ_9KweCsRM4TTj7RPtup27o7SXQopOd8NhfbNynOovU9rx7fwwK4EqeXlMqIb85rGouBf0_l9kYW0moBMdAGz6a3OpGaR6rmP6zxEKkY5VRsywvKUni8--CdXIwXF21cbIbuIRlFwFBtOyf5Mbu25ZooY1IJHAwxhNV1Mylzqgo77XZTiQ&amp;__tn__=-UK-R\"><span data-contrast=\"none\">Rumble on the Mountain<\/span><\/a><span data-contrast=\"none\"> features Indigenous artists, speakers and performers who gather to build solidarity for the protection of sacred lands and spaces across the Colorado Plateau.\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201cThe Little Colorado River is the heartbeat of the Plateau,\u201d Kabotie said. \u201cIts health represents the well-being of the water systems throughout the region.\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The Rumble kicks off a series of events that Honors assistant teaching professor and CEED fellow <\/span><b><span data-contrast=\"auto\">Kara<\/span><\/b> <b><span data-contrast=\"auto\">Attrep<\/span><\/b><span data-contrast=\"auto\"> is helping to organize with partners throughout the region. <\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cI\u2019m really excited to look at climate action through different forms and lenses over the next two years,\u201d said Attrep, who emphasized that variety is an important aspect of the series. \u201cWe wanted to be as eclectic as possible, so if someone isn\u2019t interested in filmmaking, there\u2019s a concert, or a workshop. They can enter the conversation a different way.\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">On Oct. 3, the CEED program, Honors College and Cline Special Collections and Archives will host photographer <\/span><b><span data-contrast=\"auto\">Dawn Kish<\/span><\/b><span data-contrast=\"auto\"> to discuss her work documenting the re-emergence of Glen Canyon as Lake Powell disappears. Later in the fall, Din\u00e9 filmmaker Deidra Peaches will offer a filmmaking workshop for a group of Native students at NAU.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Many of this year\u2019s CEED fellows look to the arts to engage people on climate change. Attrep believes the arts can open a conversation about climate \u201cthat isn\u2019t always possible through a scientific presentation.\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Like Attrep, Edgerton thinks art has an important role in changing the climate conversation. \u201cOften, the arts are seen as leisure,\u201d Edgerton said. \u201cOf course, they\u2019re not just that, but this social media-driven age may be the perfect opportunity for visual artists to show that and be out front, using their voices to make a difference.\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">One of the strengths of the CEED program is that each of the projects imagines community in a different way, said <\/span><b><span data-contrast=\"auto\">Bruce Hungate<\/span><\/b><span data-contrast=\"auto\">, chair of the McAllister program and director of the Center for Ecosystem Science and Society. \u201cThe work proposed by this group of CEED fellows is so exciting because each scholar is taking a really different approach to the big questions: How do we face current and future climate challenges, and how do we bring more people into that conversation?\u201d\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The second NAU Climate and Justice Teach-In, slated for Spring 2023, will be an opportunity to explore those questions. <\/span><b><span data-contrast=\"auto\">Nora Timmerman<\/span><\/b><span data-contrast=\"auto\">, an associate teaching professor in the Sustainable Communities program and CEED fellow organizing the event, said a teach-in prioritizes community building and dialogue over traditional concepts of top-down knowledge sharing.\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cWe all have a part to play in this conversation,\u201d Timmerman said. \u201cIf part of the reason we\u2019re in climate chaos is the existing power structures of capitalism and patriarchy, creating a container for dialogue is a way of disrupting those structures and learning from one another.\u201d Timmerman said that one reason the 2022 NAU teach-in was a success was that it brought together more than 400 students, staff and faculty as well as people from the wider Flagstaff community.\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cWe\u2019re more powerful when we can work together,\u201d she said.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">For CEED fellow and associate professor of English <\/span><b><span data-contrast=\"auto\">KT Thompson<\/span><\/b><span data-contrast=\"auto\">, community is built both through the course they will teach in 2023-2024, \u201cThe Colorado Plateau Grasslands Documentary Project,\u201d but also in the conversation that relays across time through reading and writing. Thompson said the spark for their project came from reading McAllister\u2019s journals.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cMcAllister was so specific about the kind of lumber used in building the cabin, for instance, or describing the grasses in a meadow where I now walk,\u201d Thompson said. \u201cReading these journals was the first time as a settler where I thought, if I work a little bit harder, I can understand the land from a kind of primary theft until now.\u201d\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The research Thompson will conduct under the auspices of the CEED program will both shape the grasslands documentary pilot course and inform a section of their current book project, <\/span><i><span data-contrast=\"auto\">Contingent Love, Unsettling Futures<\/span><\/i><span data-contrast=\"auto\">. Thompson speaks of this segment, \u201cCore Sample: A Land Acknowledgement,\u201d as a \u201cprovocation.\u201d\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cQueerness helps me understand the if-this-then-that of contingency: to be queer and to have a body that&#8217;s read as such is an experience of contingency,\u201d Thompson said. \u201cAnd contingency is always forward-looking. What is the future, and how can it gesture to reparation? If the land acknowledgement is a form that ultimately fails,\u201d as Thompson argues\u2014fails to restore stolen land or to make real reparations\u2014&#8221;then can we use the form to provoke a conversation about ways to do better?\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Robert Neustadt<\/span><\/b><span data-contrast=\"auto\">, a professor in the Department of Global Languages and Cultures and one of the new CEED fellows, also is interested in provoking conversation that leads to meaningful action. With project partner Shawn Skabelund, Neustadt will invite NAU students to have their portraits taken, and then post these large-format photos on campus near the climate teach-in. The installation will be part of a global photography project, <\/span><a href=\"https:\/\/www.insideoutproject.net\/en\/\"><span data-contrast=\"none\">Inside Out<\/span><\/a><span data-contrast=\"none\">, and will pose the urgent question: \u201cWhat kind of world are we leaving for our youth<\/span><span data-contrast=\"auto\">?\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cI think we\u2019ve got to keep trying to motivate people to take action,\u201d said Neustadt, who has led public art projects with Skabelund at NAU in the past to draw attention to immigration and to remember the thousands of people who have died crossing the U.S-Mexico border. \u201cWe\u2019ve got to raise awareness in order to work on different levels. Keep looking forward and getting more and more people to take more and more meaningful actions on climate.\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">For Edgerton, asking more people to engage on climate comes back to teaching.\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cI try to instill in my students the idea that they could have an expansion of purpose with their art,\u201d she said. \u201cSo that they might not only enjoy that aspect of being taken away from the problems of the world, but also use their voices to help other people see what is happening.\u201d<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Learn more about the CEED fellowship and the McAllister Program on Community, Culture, and the Environment <\/span><a href=\"https:\/\/ecoss.nau.edu\/McAllister\"><span data-contrast=\"none\">online<\/span><\/a><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><em>Top photo: Sunrise over Coal Mine Canyon near Tuba City. Credit: John Fowler on Unsplash.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-56007\" src=\"http:\/\/in.nau.edu\/news\/wordpresst\/uploads\/sites\/153\/wp-content\/uploads\/2019\/06\/NAU_primary-281_3514-300x213.png\" alt=\"Northern Arizona University Logo\" width=\"118\" height=\"84\" srcset=\"https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/402\/2019\/06\/NAU_primary-281_3514-300x213.png 300w, https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/402\/2019\/06\/NAU_primary-281_3514-768x546.png 768w, https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/402\/2019\/06\/NAU_primary-281_3514-600x426.png 600w, https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/402\/2019\/06\/NAU_primary-281_3514.png 905w\" sizes=\"auto, (max-width: 118px) 100vw, 118px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Kate Petersen | Center for Ecosystem Science and Society<\/p>\n","protected":false},"excerpt":{"rendered":"<p><a class=\"search-results-excerpt-link\" href=\"https:\/\/in.nau.edu\/news\/mcallister-fellows\/\">Even as she watched the smoke from the Pipeline Fire from her studio window this summer, artist and assistant professor of art Debra Edgerton was thinking about water. What is going to happen with the monsoons, she thought in June as she watched helicopters carry water from a reservoir near her home to fight the&hellip;<\/a><\/p>\n","protected":false},"author":59,"featured_media":66945,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-66940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-research-academics"],"acf":[],"_links":{"self":[{"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/posts\/66940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/comments?post=66940"}],"version-history":[{"count":0,"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/posts\/66940\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/media\/66945"}],"wp:attachment":[{"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/media?parent=66940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/categories?post=66940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/in.nau.edu\/news\/wp-json\/wp\/v2\/tags?post=66940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}