{"id":2442,"date":"2023-10-24T09:22:28","date_gmt":"2023-10-24T16:22:28","guid":{"rendered":"https:\/\/nau.edu\/ccs\/?p=2442"},"modified":"2023-10-24T09:22:28","modified_gmt":"2023-10-24T16:22:28","slug":"anime-an-old-way-to-tell-new-stories","status":"publish","type":"post","link":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/anime-an-old-way-to-tell-new-stories\/","title":{"rendered":"Anime: an old way to tell new stories"},"content":{"rendered":"<p>The popularity of anime television shows like <em>Naruto <\/em>(2002-2007) and\u00a0<em>Demon Slayer <\/em>(2019) highlight the longevity and continued impact of anime across the globe. So, it might come as a bit of surprise to discover that the origins of anime are in the centuries old practice of <em>kabuki <\/em>theater in Japan, an influence that still informs anime today.<\/p>\n<p>Incredible showmanship, elaborate costumes, and exaggerated performances are long standing characteristics of <em>kabuki theater <\/em> and manifest in the the bright colors, high fashion, and dynamic characters of anime. In<em> kabuki, <\/em>the visual aspects are more than just entertainment, they convey meaning to the audience since the performers, both past and present, typically use an older form of Japanese which can be difficult to understand even to fluent speakers. The plots are usually over the top and portray\u00a0 battles, romances, and the supernatural, but also may depict historical events or well-known stories. Only women were allowed to perform in <em>kabuki<\/em> adaptations until the Tokugawa Shogunate (1600-1868). Then, restrictions were placed on actresses during the Edo period (1603\u20131867) and men began performing traditionally female roles.<\/p>\n<p>Many elements of <em>kabuki<\/em> have been incorporated into anime for decades. <em>Super sentai<\/em> performances,\u00a0 groups of masked heroes who fight evil, were adapted from <em>kabuki<\/em> and into anime series aimed at children. Another common element is <em>mie<\/em>, which is a character\u2019s trademark pose. We usually see <em>mie<\/em> in superhero anime like <em>Sailor Moon<\/em>.<\/p>\n<figure id=\"attachment_2443\" aria-describedby=\"caption-attachment-2443\" style=\"width: 464px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-landscape-image wp-image-2443\" src=\"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-content\/uploads\/sites\/333\/Picture1-464x348.jpg\" alt=\"silor moon cartoon girl standing and saluting\" width=\"464\" height=\"348\" srcset=\"https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/333\/Picture1-464x348.jpg 464w, https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/333\/Picture1-232x174.jpg 232w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><figcaption id=\"caption-attachment-2443\" class=\"wp-caption-text\">Kunihiko Ikuhara. (Director). (1992\u20131997). Sailor Moon. Toei, Inc.<\/figcaption><\/figure>\n<p>It is also common for popular anime to inspire contemporary <em>kabuki<\/em> theater adaptations, which provide audiences with new perspectives on their favorite stories. In 2020, Hayao Miyazaki\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=Md5a_EavdzE&amp;ab_channel=%E3%83%87%E3%82%A3%E3%82%BA%E3%83%8B%E3%83%BC%E3%83%BB%E3%82%B9%E3%82%BF%E3%82%B8%E3%82%AA%E5%85%AC%E5%BC%8F\"><em>Nausica\u00e4 of the Valley of the Wind<\/em><\/a> was adapted for the <em>kabuki<\/em> stage. This adaptation was especially exciting for fans because <em>Nausica\u00e4<\/em> was based on a manga series that ended ten years after the release of the film. This meant the play could go into greater detail about the story than the film , which is not uncommon in <em>kabuki<\/em> adaptations. The plays can often last up to four hours!<\/p>\n<figure id=\"attachment_2444\" aria-describedby=\"caption-attachment-2444\" style=\"width: 464px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-landscape-image wp-image-2444\" src=\"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-content\/uploads\/sites\/333\/Picture2-464x348.jpg\" alt=\"Scene from Nausica of the Valley of the Wind showing small animal on boys shoulder\" width=\"464\" height=\"348\" srcset=\"https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/333\/Picture2-464x348.jpg 464w, https:\/\/in.nau.edu\/wp-content\/uploads\/sites\/333\/Picture2-232x174.jpg 232w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><figcaption id=\"caption-attachment-2444\" class=\"wp-caption-text\">Hayao Miyazaki. (Director). (1984). Nausicaa\u0308 of the Valley of the Wind. Toei, Inc<\/figcaption><\/figure>\n<p>Modern <em>kabuki<\/em> plays also sometimes incorporate aspects of American and European theater productions. In the stage adaptation of <a href=\"https:\/\/www.youtube.com\/watch?v=vkLE_eR3Q7Y&amp;ab_channel=rvmi910\"><em>Yona of the Dawn<\/em><\/a>, for example, many of the sound effects and songs were pre-recorded rather than performed live. The performances also feature multi-layer backgrounds,\u00a0 which are common in set designs for theater productions in the U.S.<\/p>\n<p>Understanding the connection between anime and <em>kabuki<\/em> can give us a more thoughtful enjoyment of both. <a href=\"https:\/\/events.nau.edu\/event\/lets-anime-lecture-series-presents-staging-anime\/\">The latest talk in the <em>Let\u2019s Anime!<\/em><\/a> series will examine gender and performance in <em>kabuki<\/em> theater adaptations of anime. This free event is open to anyone interested in anime, the Japanese language, or Japanese culture!<\/p>\n<p><em>\u2013 Katie Squires, Junior | English Literature Major | Journalism Minor | CAL Marketing Team Fall \u201923<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The popularity of anime television shows like Naruto (2002-2007) and\u00a0Demon Slayer (2019) highlight the longevity and continued impact of anime across the globe. So, it might come as a bit of surprise to discover that the origins of anime are in the centuries old practice of kabuki theater in Japan, an influence that still informs [&hellip;]<\/p>\n","protected":false},"author":736,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_oasis_is_in_workflow":0,"_oasis_original":0,"_oasis_task_priority":"","footnotes":""},"categories":[16,14,11,3,4],"tags":[17],"class_list":["post-2442","post","type-post","status-publish","format-standard","hentry","category-asian-studies","category-ccs-events","category-comparative-study-of-religions","category-faculty-research","category-public-humanities","tag-nauccs"],"_links":{"self":[{"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/posts\/2442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/users\/736"}],"replies":[{"embeddable":true,"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/comments?post=2442"}],"version-history":[{"count":4,"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/posts\/2442\/revisions"}],"predecessor-version":[{"id":2448,"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/posts\/2442\/revisions\/2448"}],"wp:attachment":[{"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/media?parent=2442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/categories?post=2442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/in.nau.edu\/department-comparative-cultural-studies\/wp-json\/wp\/v2\/tags?post=2442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}